The Final Dinner Social gathering’s Emily Roberts on embracing her most “outrageous” guitar impulses Guitarcontact
Emily Roberts has simply landed in London from an exhausting set at Hungary’s Sziget competition. She is, rightfully so, somewhat weary after The Final Dinner Social gathering, the band for which she is lead guitarist, led a fiery set beneath the blazing solar. The group was hungry for hits; fervently screaming again most (if not all) the phrases to songs from their debut album Prelude To Ecstasy. However Roberts has a twinkle in her eye this sunny Tuesday night, regardless of her full-on day. There’s some massive information to debate.
It was throughout a thunderstorm in Prague final 12 months when an unsuspecting viewers heard a chunk of The Final Dinner Social gathering’s upcoming sophomore album, From The Pyre, for the primary time. The band referred to as themselves the decoy identify Yeehaw Interlude for this second, however the lead single This Is The Killer Talking had formally been carried out. This wasn’t like what occurred on the run-up to final 12 months’s debut, when lots of the songs on the report had already been performed reside through the band’s early rise to fame.
This time, The Final Dinner Social gathering had been properly on their option to changing into a family identify, ubiquitously showing on the radio, on billboards and fortunately discovering themselves atop the charts. So, except for this one-off efficiency as Yeehaw Interlude, it means the London five-piece nonetheless don’t know how their new songs shall be acquired earlier than releasing them. That’s a brand new feeling of anticipation they’ve by no means identified.
“We haven’t performed about eight out of ten of those songs reside earlier than,” says Roberts of the monitor record on From The Pyre. “With the primary report, we at all times needed to play the songs reside and the recording wasn’t an afterthought, but it surely got here later. On the time, we simply needed to get out and get gigging because it was after lockdown and covid. However with this one, the method is the opposite method spherical.”
Roberts, alongside her bandmates Abigail Morris, Lizzie Mayland, Aurora Nischevi and Georgia Davies, is evident on the truth that From The Pyre is just not a brand new period following on from Prelude To Ecstasy. They’re each a group of summary, theatrical tales based mostly on private experiences. However while Prelude To Ecstasy was a extremely profitable check of this format with the songs structured into sections (a prelude, interlude and postlude), From The Pyre ditches any explicit order for the tracks and dives deeper into storytelling, telling richer and earthier tales that sound each method from fragile to riotous.

Look Who’s Again
“The beginning of this report is the alternative to Prelude,” Roberts continues, talking of opening monitor Agnus Dei. “Prelude eased into itself and had this dramatic orchestral intro, but it surely made sense to have Agnus Dei firstly of this one as a result of it simply began issues off with a bang.” Roberts’ guitar half narrates this monitor, putting a shiny three-note riff in an effervescent intro backed by crashing cymbals and momentous keys. As Morris slides into her first verse, Roberts drops down into three regular chromatic notes. She climbs them, tumbles again down after which glides beneath Morris’ sultry voice in easy ease. It’s a technique of yelling “look who’s again once more” within the breeziest, most nonchalant method you possibly can.
“It’s essentially the most ridiculous tune, however not in a adverse method,” she laughs. “It’s unapologetic, it’s joyous and it’s foolish, however all in a enjoyable method.” Roberts additionally has a vibrant minute-long solo in direction of the top of the monitor – one which took two months to put in writing.
“That solo took a extremely very long time,” she admits. “I used to be sort of going forwards and backwards. I stored considering, ‘Is that this too foolish? Is it too outrageous?’ And since it’s such a protracted one as properly, I realised I’d solely ever written brief guitar solos. I didn’t know methods to write one thing that lengthy that retains your consideration or tells a narrative over a size of time. So, that was fairly difficult for me, but it surely was actually enjoyable to get to try this as a result of I don’t assume a whole lot of albums popping out in 2025 could have a minute-long solo on the finish of a tune.”
Roberts took affect from 60s rock for lots of this report, pulling strands from The Rolling Stones and George Harrison to create a spherical, sustained sound with a little bit of a chew that makes it her personal. She used a mix of Music Man St Vincent signature fashions, a Gibson ES-330 and a Les Paul throughout the entire album to create a classic twang all through, however flavoured by that sharp chew from the St Vincent signatures and their bridge pickups. Nonetheless, it’s not simply her taking part in that displays sixties icons – it’s additionally the best way wherein she’s written components of the tracks.
“I positively took inspiration from George Harrison and the best way he writes within the context of a band,” she says. “All of us wanted to respect one another’s area. Writing my components was one thing which was mine, and one thing I did. I do respect what the author of the entire tune needs however, on the similar time, I wish to carry my creativity to it as properly. I really feel fairly protecting over that. However we’ve simply discovered to stability these two issues.”
Spooky Season
Roberts wrote bits and items of the instrumentals all through From The Pyre, together with an eerie, discordant vocal half firstly of Girl Is A Tree. The harmonies are hauntingly lovely – they begin off regular however bend unsettlingly upwards by a semitone. Then, like an elastic band, they snap, and a chilly yelp escapes one singer like a gust of air. In case you paired it with a horror movie (it’s additionally ghostly a capella) you’d have a tough time sleeping.
“We had been very meticulous with writing,” Roberts says. “We didn’t set ourselves many limitations, we simply stored including extra layers to issues. Once I organized the choir at the start of Girl Is A Tree, it was actually enjoyable, and it was sort of impressed by the Yellowjackets soundtrack. However I’d most likely say it was essentially the most difficult one to sing and to put in writing. We hadn’t actually executed a lot of that [choral] stuff earlier than. Lizzie’s often the one one doing the backing vocal components, so to have all of us singing in such shut concord was fairly experimental and laborious for us to do.”
The Final Dinner Social gathering doesn’t select something protected or simple – From The Pyre straddles the road between reality and mythos. The report depicts a world the place each story is character pushed, written from specks of actual life and lived experiences.

The characters, together with scythes, Mom Earth, saints, cowboys, sailors and even Joan of Arc, could also be flamboyant theatrical metaphors, however the true origin of every story lurks down on the core. It compelled every band member to give up themselves to the music and permit it to succeed in intimate components of their soul. It meant trusting a person imaginative and prescient and performing on it.
“I’ve been so much higher at conveying my opinions authoritatively, even when they don’t at all times find yourself because the consequence,” says Roberts. “With Prelude, we had been nonetheless understanding what we’re every good at. I used to be positively much more shy then, and I’d sit quietly and observe issues. However I believe it’s at all times higher to say issues and contribute. I discovered extra about writing components and what works properly wherein state of affairs, and methods to serve the appropriate power on the proper second.”
Second Finest, the third monitor on the album, is an ideal instance of that professional judgement coming into play. The tune begins with a powerful choral passage whose density and energy, this time, utterly engulfs the listener. For the guitar half, though she principally used the St Vincent signatures and the Gibson on this album, Roberts selected a Les Paul to create a basic rock sound that she resonated properly with on the final album. “I used that for the lead guitar on the refrain particularly,” she explains. “It gave it that rocky sound as a result of the tune is a little more seventies or eighties, so it wanted that sort of power because it’s acquired that massive, sustained sound.”
Sharper Focus
However since Rely The Methods wanted one thing sharper with a particular edge, there was an apparent guitar selection. Roberts has identified and beloved the St Vincent guitars since Prelude to Ecstasy, so why stray elsewhere and repair what ain’t broke? “I’m a bit caught in my methods at this level,” she laughs. “What I like concerning the St Vincent is that it actually cuts by a mixture, and it’s fairly high-end. I believe that’s an important high quality that it has and it simply doesn’t sound like a Fender or a Gibson. I needed one thing that, if you hear it, it’s not apparent what it’s. I needed folks to go, ‘What’s that?’ and for it to sound new.”
As a lover of at the very least one signature guitar, Roberts has had her hopes set on sooner or later releasing her very personal signature mannequin. When Guitar.com interviewed her final in 2024, she admitted she’d need it to be “modern-looking” and to “have the identical ease for taking part in as a feminine”. Has there been any improvement on the thought since then?
“I’ve at all times needed to design or make my very own guitar, I simply haven’t had any time to try this,” Roberts laughs. “I’d need it to be an amalgamation of various many years in a single guitar, even when that’s actually tough to do. It will be cool to have a guitar that mixes components, like if it had completely different pickups from one another, or a switchable bridge pickup that adjustments from a P-90 right into a humbucker or a Firebird. Having one thing with a whole lot of versatility that captures completely different many years of guitar taking part in and guitar historical past can be actually cool.”

One thing distinctive about being the lead guitarist in a well-liked rock band is that a whole lot of followers cowl your solos. In reality, when you click on on YouTube and seek for The Final Dinner Social gathering guitar covers, you’ll discover numerous clips of individuals placing their very own spin on Roberts’ components. Maybe it’s not one thing she’s fairly used to but.
“It’s such an incredible feeling to observe different guitarists, whom you’ve by no means met, play one thing that you just wrote simply alone in your room,” she smiles. “Individuals coated the Nothing Issues solo and added their very own character to it, which I beloved. One man even added these shreddy licks in between phrases, and I simply thought that was loopy.”
The Scythe solo, Roberts says, may very well be one followers sort out subsequent, or maybe even sing alongside to because it’s largely melodic and “hooky”. Or possibly it’ll be the jaunty Inferno refrain which Roberts co-wrote with Morris. That’s the factor about releasing an album whose tracks folks principally haven’t heard but – the subsequent half is unpredictable.
“I’m simply excited to place a whole lot of the brand new songs onto our setlist,” Roberts grins. “We are able to now decide and select a curated set quite than having to fill an hour. We don’t must play all of our songs plus a canopy to fill the time anymore, so it’s going to be actually thrilling and liberating to make use of a few of that spontaneity.”
Lead single This Is The Killer Talking units the stall out properly. Beginning off snarling and mysterious because it creeps in direction of a extra dynamic, groovy refrain. The factor about From The Pyre is that it packages up tonnes of feelings in a single report in a method that’s jaggedly contrasting but totally becoming. It’s a large panorama portray with completely different characters travelling throughout it, in several instructions. It’s meant to be loud and busy. Nevertheless it’s trustworthy, truthful, and that’s very a lot the purpose.