With nicely over 40 million month-to-month listeners on Spotify, Radiohead stay some of the listened-to rock bands on the planet. And at practically 3 billion streams on that one platform alone, Creep nonetheless stands because the group’s most enduring hit.

And in a brand new interview with Uncut, guitarist Ed O’Brien displays on the music’s influence, saying have been it not for its success, the band may need been out of the sport totally afterwards.

Requested in regards to the second in his profession when he felt Radiohead had created one thing utterly artistically new, he replies: “I feel The Bends, actually.

“You possibly can really feel the influences on the sleeve of Pablo Honey, however The Bends was fairly various. If you consider the best way that that album bookends, it begins with Planet Telex and ends with Road Spirit. Two fairly totally different songs – the ability and the sonic playfulness of 1, after which the emotion of the opposite.”

He continues: “We knew there have been flaws with the primary album, and it was propped up massively by Creep.

“If Creep hadn’t been as large because it was, there’s an excellent likelihood we might by no means have made one other file, as a result of the file firm would have dropped us.”

Regardless of its lasting success as Radiohead’s largest observe, the band famously dislike it, and solely very not often play it throughout reside reveals. 

Frontman Thom Yorke has, previously, unaffectionately known as the observe “Crap”, and in accordance with the Guardian, answered a Montreal crowd’s request for them to play the music with “Fuck off”. He has additionally beforehand known as lovers of the observe “anally retarded”.

Because the story goes, guitarist Jonny Greenwood even injected some grating crunchy guitar blasts at the beginning of the refrain as an act of sabotage to smash the music through the recording of My Iron Lung, however they have been later saved by the producer.

Sam is the Affiliate Information Editor for Guitar.com and MusicTech. Totally immersed in music tradition for almost all of his life, Sam has performed guitar for 20 years, studied music know-how and manufacturing at college, and in addition written for the likes of Guitar World, Complete Guitar, Steel Hammer and MusicRadar.