The bass universe misplaced a large on October 19 with the loss of life of Anthony Jackson, at age 73.

Jackson performed on a whole lot of albums by artists starting from Roberta Flack, Buddy Wealthy, Steely Dan, and Chaka Khan, to guitar fusioneers Lee Ritenour and Mike Stern. His breakthrough was the intro bass lick to the O’Jays’ 1973 hit “For the Love of Cash,” performed on a Precision draped in echo and part shifter; one can hear the crisp pick-style approach that helped make Jackson well-known. He later championed the six-string, which he known as contrabass (leading to a signature Fodera mannequin).

Jackson appeared on essential fusion data by Al Di Meola, notably the observe “Race With Satan On Spanish Freeway,” the place he doubled Di Meola’s guitar line with explosive choosing velocity.

Listening to of Jackson’s passing, the guitarist mentioned, “Anthony was one of many most-extraordinary musicians I’ve ever had the distinction to play with – a real innovator whose genius on the six-string contrabass reshaped trendy music. From Land of the Midnight Solar and Elegant Gypsy to numerous unforgettable moments on stage, he introduced an influence and sensitivity that might transfer anybody who listened.”

In a 2011 interview with VG, Jackson remembered the jazz-rock period fondly.

“How may I probably overlook working with Al? He and I solid a sensational artistic relationship. Steely Dan’s Donald Fagen and Walter Becker, in the meantime, are hyper-perfectionists and the one method to work efficiently of their area is to be as whacked-out and anal as they’re. If this situation is glad, then the world is a gorgeous place.”

When requested what recommendation he’d give bassists who wish to soar to extended-range basses, the erudite musician responded, “You’ve heard all of the anticipated solutions: self-discipline, dedication, love. And bear in mind the T-word – paraphrasing Chopin – “With out them, one wouldn’t be in good style.” – Pete Prown

This text initially appeared in VG’s January 2026 problem. All copyrights are by the creator and Classic Guitar journal. Unauthorized replication or use is strictly prohibited.