Legendary recording engineer Steve Albini, who labored on albums comparable to In Utero, Surfa Rosa, Rid Of Me and numerous others, has died aged 61.

He suffered a coronary heart assault at his Chicago studio, Electrical Audio, workers employed there have confirmed to Pitchfork.

Albini’s band Shellac had been because of go on tour in 2024 in help of their upcoming document To All Trains, which is because of be launched subsequent week.

One in all the legends of recording engineering, Albini labored with the likes of Nirvana, Pixies, Bush, The Breeders, Soften Banana, PJ Harvey, Jarvis Cocker, the Jesus Lizard, Gogol Bordello, Led Zeppelin’s Jimmy Web page and Robert Plant and so many extra.

His most well-known work, although, was Nirvana’s third and last studio album, 1993’s In Utero. Because the story goes, Albini had dismissed the grunge titans as “an unremarkable model of the Seattle sound” – a daring declare contemplating this was the band which beforehand put out the chart-topping Nevermind. He later accepted the job on the mercy of their document label, nonetheless, as a result of he felt sorry for them. Frontman Kurt Cobain selected Albini as he had produced two of his favorite albums: The Pixies’ Surfer Rosa (1988) and The Breeder’s Pod (1990).

Competition arose surrounding the ultimate sound of the document; Nirvana’s administration had been unimpressed, and Cobain reportedly stated he “received no emotion from it”. Albini, in the meantime, was adamant no tweaking was required, and refused to remix the album on the request of the band, label and administration. Tweaks had been finally made within the mastering course of by Bob Ludwig – and Scott Litt, who was introduced in to remix some songs – and whereas In Utero discovered industrial and important success, Albini “doesn’t sound all that very like the document that was made”.

Albini was additionally a vocal critic of the music business. He even refused to simply accept royalties on his recordings, as he stated it was unethical non-artist entities to generate income off an artist’s work indefinitely.

It is a creating story.