The Guitars of Gary Rossington – Classic Guitar® journal Guitar Contact

When the time got here for Gary Rossington’s household to resolve what to do together with his guitars and amps after his passing in March of 2023, daughters Mary and Annie alongside together with his spouse, Dale, regarded for recommendation from his lifelong buddy and bandmate, Rickey Medlocke.
The stash was appreciable – 71 guitars together with his well-known ’61 Gibson “Free Chicken” Les Paul SG, his first Silvertone, and the Customized Store SG he performed at his last live performance in November of 2022 on the Ryman Auditorium – together with 55 amps.
“We have been at a loss with what we have been immediately in command of,” stated Mary. “Ricky prompt we name Andrew Yonke at Chicago Music Trade, saying he might reply all of our questions.”
The frequent destiny for high-profile guitar collections as of late is sale through public sale home. However the Rossingtons, being uninterested within the commerce the guitars would definitely generate, have been centered as an alternative on furthering Gary’s legacy.
Impressed by Rossington, having been invited to play Duane Allman’s ’57 goldtop in 2016 (after which he instructed Alan Paul, creator of Brothers and Sisters: The Allman Brothers Band and the Inside Story of the Album That Outlined the ’70s, “Duane was my most important inspiration rising up; he was my first and biggest affect and all the time will probably be.”), the household requested for Yonke’s assist getting a number of the guitars within the fingers of gamers who really cared about what they have been and will assist them be heard by generations of gamers to come back.
Yonke was enamored with the thought. And the ladies knew that Medlocke had steered them proper. “We immediately felt like we’d recognized Andrew perpetually,” stated Mary. “There was a very good vibe.”
To evaluate the gathering and get a really feel for the duty, Yonke and CME Classic Supervisor Daniel Escauriza visited the Rossingtons in Atlanta.

“The primary day they have been right here, they opened each guitar case and examined each amp with meticulous, cautious fingers,” recalled Dale. “We realized rather a lot about Gary’s guitars that day, and we have been so happy – and relieved – as a result of it was overwhelming to be liable for them.”

“We actually simply needed to know what was in our possession,” Mary added. “Getting them documented and insured was aim primary. Aim quantity two was determining what we might do with them: How will we maintain these stunning devices preserved accurately? How will we additional his legacy?
“He acquired such a kick out of enjoying Duane Allman’s guitar, and all the time talked about how that was so particular,” she added. “We thought,‘That’s the type of factor we’d wish to share with different gamers’.”
Whereas 30 of the guitars have been in Atlanta that day, others have been in storage areas and the properties of buddies. Finally, all of them made their solution to Chicago.
Yonke first met Rossington in 2017, when Weapons ’N Roses guitarist Richard Fortus invited him to soak up a present by Lynyrd Skynyrd and Hank Williams, Jr. Afterward, Fortus launched Yonke to Medlocke, and the 2 bonded over all issues guitar, then stayed in contact.
Rossington, Yonke stated, was a real “guitars as instruments” musician – he didn’t do guitar safaris on tour stops and didn’t collect collectible items or chase tones. His gear is exemplary of that pragmatism; “Selecting gear for a tour, he’d say, ‘The place’s my SG? The place’s my Les Paul? Let’s go!’” stated Yonke.
The identical utilized to his amps; as Skynyrd gained steam, they have been equipped Peavey amps that served them nicely, and when phrase acquired out that the amps have been at CME, Yonke’s telephone began ringing. Regardless of the stash famously together with again line Marshall stacks from the band’s earliest days at Hell Home – the lake cabin the place they wrote “Easy Man,” “Tuesday’s Gone,” “Candy Residence Alabama,” “Don’t Ask Me No Questions,” “Gimme Three Steps,” and “Free Chicken” – most have been curious concerning the others.
“In all probability 25 well-known gamers known as,” he laughed. “And 22 of them requested concerning the Mace amps.”
Yonke says it’s been comparatively simple to connect particular guitars to levels in Rossington’s profession, due to photographs and video on-line.

“Within the months simply earlier than the [October ’77] airplane crash (that claimed the lives of singer Ronnie Van Zant, guitarist Steve Gaines, backup singer Cassie Gaines, the band’s assistant street supervisor, and each pilots), each photograph and video you see reveals him enjoying the late-’60s SG with the small nut. And within the early days of Rossington Collins Band, he had a ’61 with side-pull trem. There’s one other ’61 with a Vibrola that he’d bang in opposition to a cymbal as they performed the outro of ‘Free Chicken,’ so it’s headstock is bit hacked up, which is particularly cool as a result of most of his SGs are so nicely cared for; he didn’t put on bracelets or something that might beat up the guitars.”
One other guitar of curiosity is Dottie, a late-’60s Les Paul Deluxe that Rossington had modified within the ’70s, routing it for humbuckers and portray it sunburst.
“In Rossington Collins Band, he performed classic SGs, Bernice (Rossington’s ’59 Les Paul Normal that resides within the Rock and Roll Corridor of Fame), Dottie, a couple of backups, a Dobro, and a few older acoustics,” Yonke stated. “Then, with the re-formation of Skynyrd, different devices entered the combo together with late-’80s/early-’90s Les Pauls, D’Angelicos, and some that folks gifted to him. There’s a very cool black ’80s ES-335 he used on a gig or two, however there are only a few photographs of him utilizing something apart from a Les Paul or SG.”
Whereas sorting via the primary 30 guitars in Atlanta, Yonke and Escauriza have been delighted to study that Gary and Dale had cataloged the guitars – she with pen and paper, jotting as he talked about particulars about every. She recollects there was no particular motive – no well being considerations – and that it was merely one thing they did whereas spending time collectively.
“It was enjoyable,” she stated. “As we opened every case, he would say a couple of issues that I’d write down, then he’d signal the paper.”
Within the early 2000s, Gibson approached Rossington about constructing a reissue of Bernice and an homage to the “Free Chicken” SG. Given the skyrocketing worth of his classic devices (to not point out their notoriety), he agreed it will be a good suggestion to retire them and play the brand new variations. And as anybody will let you know, Gary was not a collector. In distinction, he was the basic, “guitars are instruments” participant, bored with accumulating devices or chasing collectibles.
“He knew the devices, and particularly the few that labored greatest for him,” Dale stated. “Once we opened these guitars, I don’t assume he pulled them out or touched them. If he really held one, it wasn’t for lengthy, however he would say, ‘I keep in mind the place that got here from,’ and who had given it to him or bought it to him. And naturally he remembered which have been used on sure songs.”
“So, you open a case and the notice inside says one thing like, ‘Liked it, performed “Free Chicken” on it each evening,’” stated Yonke.

As soon as the guitars have been ensconsed at CME, Yonke and his employees set about designing show area and strategizing how one can get them in entrance of holiday makers – and audiences. Yonke will maintain the household concerned in each choice relating to who performs the guitars in a live performance setting.
“I need them to be snug with no matter we do,” he stated. “We have to know that they discover pleasure on this.”
And when a guitar is obtainable, neither the household nor CME will ask artists to play something particular. Reasonably, they’ll be inspired to inform the viewers what they’re feeling with it of their fingers, and play a track of their alternative.
“To have that chance to present again and hopefully encourage these youthful generations to maintain enjoying true music, to study guitar, and follow as exhausting as he did,” stated Mary. “We wish artists world wide to make use of them and assist additional the music Daddy helped create.”
Their first alternative occurred November 7, when Charlie Starr and Blackberry Smoke performed in St. Augustine, Florida. Yonke and Escauriza personally delivered the ’61 SG (after it traveled in its personal airplane seat subsequent to them) to Starr, who’s a household buddy, a religious fan of Rossington’s work, and even performed a little bit of guitar when Gary and Dale renewed their vows.
When he was approached, Starr was bit shocked.
“My first response was ‘Why do I get to be the primary individual to play this guitar?’ I maintain Gary and the music he and Skynyrd created in extraordinarily excessive regard, and we do have fairly a protracted historical past with them, but it surely was nonetheless a shock and a big honor,” he stated.
Blackberry Smoke’s alternative of songs to play with it required a bit of debate.

“We’ve by no means carried out ‘Free Chicken,’” he added. “Not even after we have been enjoying covers in golf equipment. I all the time felt like that track was sacred and belonged solely to Skynyrd, to not be fiddled with… Nonetheless, this can be a guitar that Gary actually solely performed one track on. So, I figured, ‘Let’s do a piece, then ease into ‘Tuesday’s Gone,’ which made sense to me, metaphorically, and is one other one among Gary’s most-beautiful guitar melodies, and that guitar could be the best-sounding and best-playing instance of a ’61 side-pull Les Paul SG that I’ve ever had my fingers on – no exaggeration! I actually plugged and performed, nothing else mandatory. The piece of wire he used to elevate the strings and a slide have been sitting there within the case pocket, however I didn’t disturb them.”

“It was a quieter crowd, and when Charlie put the guitar on and began speaking, each cellphone got here out,” Dale added. “I don’t assume there was a dry eye within the crowd. As quickly as he plugged in, he stated they knew what they needed to do, in order that they put collectively ‘Free Chicken’ and ‘Tuesday’s Gone,’ and it was magical. It sounded unbelievable onstage, and so pure.”
“Shedding Gary was the roughest factor that our household has needed to undergo,” Dale added. “And having the ability to hear somebody as fabulous as Charlie play his guitar was one of many greatest delights we’ve had since we misplaced him. We’re gaining a lot from this expertise and we actually hope we are able to proceed.”

Conveniently coinciding with the arrival of Gary Rossington’s assortment, Andrew Yonke and the employees at Chicago Music Trade lately opened a brand new show space the place clients and guests can sit comfortably amongst devices and take their time enjoying them or just having fun with their auras.

The idea started nearly by default. Across the store, staff generally referenced two giant storage areas as “the vault.” Additionally, the shop did an advert marketing campaign displaying guitars and amps perched in entrance of an precise outdated financial institution vault in a constructing throughout the road, and clients then began asking to see the vault, solely to be instructed it wasn’t actually a factor.
However their requests impressed Yonke, and when the shop transitioned some retail area in an adjoining constructing, he had an enormous steel door put in resulting in it and employed an artist to embellish it with ’30s-style pinstriping and a emblem in gold leaf. The Vault was born, conceived with an informal and comfy environment, correctly embellished and the place something and every little thing will be performed in a studio-like setting.
“There’s a lounge space giant sufficient to accommodate an entourage of street crew and buddies,” Yonke stated. “The primary seating is in entrance of the principle show.”

Earlier than the room was prepared for prime time, Riotfest occurred in late September and so they have been requested to host a couple of acts. One participant who visited was Judas Priest guitarist Richie Faulkner (VG, June ’24), who was on the lookout for a Customized Store Strat. His go to gave Yonke the prospect to see The Vault in motion.
“On the finish of the day, I used to be in a position to stand again and say, ‘That is precisely why I did this!’ All people had a good time, and a few gamers left with the instrument they have been hoping to search out. That’s the entire level of the room.”
And whereas shows in The Vault are museum-quality, there are not any “Do Not Contact” indicators. In truth, Yonke is adamant the room will probably be inclusive, and never strictly high-dollar.
“Proper now within the room is an Epiphone acoustic that I paid $400 for, and it’s superior. It’s proper there on a stand. Half the individuals who stroll in ask, ‘What’s that doing in right here?’ I hand it to them and so they go, ‘Whoa!’”
The realm has 16 wall instances, none with locks. Nonetheless, it’s not a free-for-all.

“I can’t bodily do this,” Yonke says. “A gross sales individual has to sit down with everybody, particularly if we’ve by no means labored with them. We have to know what they like and could also be on the lookout for, so we are able to curate the expertise.
“The way forward for guitar shops goes to come back all the way down to constructing relationships and the expertise,” he added. “Tons of of individuals go to us day-after-day, and so they come right here to dream and to the touch. The Vault lets them do this, and within the quick time it’s been open, there have been so many individuals checking in simply to see what’s in there. Anytime somebody is critical about an instrument however they’re not in Chicago, Nathaniel Murphy will plug it in and create a video displaying the main points and sound of that guitar or amp they’re eyeballing.” – Ward Meeker
To learn Classic Guitar’s interviews with and memorial to Gary Rossington, search his title on www.vintageguitar.com.
This text initially appeared in VG’s January 2025 problem. All copyrights are by the creator and Classic Guitar journal. Unauthorized replication or use is strictly prohibited.