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March 15, 2026

Parliament-Funkadelic guitarist on why he is typically seemed so depressing on stage Guitar Contact

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It’s arduous to manage your facial features if you’re misplaced within the music. From blissfully closed eyes to rock-ready stank-faces, you’ll be able to see when a musician is admittedly in-tune with their instrument – and after they aren’t. Parliament-Funkadelic’s Michael Hampton specifically has been susceptible to look fairly stone-faced if he isn’t ‘feeling the funk’ on-stage.

In a brand new interview with Mojo, he laughs about how his power-funk sound might need appeared at odds together with his grumpy manner. “The way in which I’ll have come throughout on-stage, it might need been like I wasn’t having a superb time,” he says. “[I might have looked] a little bit bit bored… as a result of I can’t pretend the funk, if I’m not feeling one thing.”

Simply as different guitarists can’t comprise their pleasure, he couldn’t comprise his disinterest when he wasn’t within the temper to carry out, or when the efficiency wasn’t feeling significantly magic. “I went so far as I may go and, you already know, you get drained,” he explains. “Nonetheless to at the present time I’m not the one dancing round. I wish to joke a bit however I’m fairly severe about enjoying. I simply flow and type of keep in my lane.”

“These days on tour, I’m not as loud as I want to be, there’s numerous vocals,” he continues. “I actually miss the a part of it after we’d crank up the amp all the best way and do Cosmic Slop. However it’s one other day and time. I’ll play Maggot Mind till I’m advised, ‘Okay, it’s time to finish it.’”

When the late Eddie Hazel stepped down from his Parliament-Funkadelic duties in 1971, the group rapidly sought out his successor. They’d discover the proper guitarist in 17-year-old Michael Hampton, enlisting him to hitch the collective after witnessing him carry out the 10-minute Maggot Mind solo at a Parliament-Funkadelic aftershow celebration.

Regardless of worries that he could have appeared “bored” onstage, his work with the band was something however boring. Loads of his time performing in Parliament-Funkadelic was electrical and “spontaneous”, identical to that first solo that satisfied the gang to take him on board. “All the pieces’s just about a spontaneous shock and it’s all inter-changeable,” he explains. “The final time we performed [in 2025], it was good, you already know?”

Michael Hampton’s Into The Public Area EP is out now.




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